Editor's Note
DRHA Conference in Turin
Gabriella Giannachi, Letizia Gioia Monda, Antonio Pizzo

The Documentation, Conservation, and Sharing of Cultural Heritage
The Documentation, Conservation, and Sharing of Cultural Heritage
Gabriella Giannachi

From Digital (Art) Curation to Networked Co-Curating
Annet Dekker

The Rumor Underneath: A Feminist Approach to Performance-Based Art
Conservation
Irene Pipicelli

Giacomo Verde's Archive
Annamaria Monteverdi

FORMA. Representing Space: Performance, Documentation, and Immersive Archive
Diego Schiavo

The Value of Choices: The DIAL Project
Raffaella Tartaglia

Digital Valorization of Cultural Memories: Three Case Studies in the
Emilia-Romagna Region
Federica Collina, Francesca Fabbri

Participatory Experiences as a New Way to Access Conservation Data in
Museum Contexts
Manuele Veggi, Sofia Pescarin

Digital Resources for Manuscripts: Between Fragmentation and Development Prospects
Chiara Senatore, Roberto Rosselli Del Turco, Paola Pisano

Use, Reuse, and Valorization: A Web App for Italian Cultural Heritage
Giulia Fabbris, Alessandro Bertozzi

Grandmother, Mother, Daughter: A Nineteenth-Century Egyptian Inheritance. Exploring the Impact of Archival Storytelling through a Site-Specific Spatial Augmented-Reality Exhibit in a Private Historic House
Sally Ann Skerrett

The Distribution of the Sensible
Flavia Dalila D'Amico

Sensoriality, Art, and Scenographic Culture in the Sixteenth through
Eighteenth Centuries: An Interactive and Inclusive Online Exhibition
Carmen González-Román

Between Scenarios: Traces of Customs in Tullio Victorino's Paintings
Elaine Karla de Almeida

Challenges and Opportunities for the Digital Enhancement of Religious
Cultural Heritage: A Proposal for the Arca di San Domenico in Bologna
Melissa Macaluso

The Digital Content: An Opportunity to Enjoy Collections
Lara Corona

Integrating AI in Museums. A New Phase in the Museum's Transformation
Yael Eylat Van Essen

The Digital Performance of Cultural Heritage

Performance
Antonio Pizzo

The Reuse of the Classics As Intangible Cultural Heritage: The "Dead
Centre" Case
Andrea Malosio

Reinventing and Relocating Opera. Digital Creativity and Opera Heritage
in the Intermedia Project by Davide Livermore and D-Wok
Giulia Carluccio, Stefania Rimini

The Digital Upgrade of Opera Theater: Intermedial Dramaturgies and
Technological Visualities in Fanny and Alexander's Spectacles
Laura Pernice

The Dramaturgies of Volumetric Captur
Lee Miller, Joanne 'Bob' Whalley

Theatrical Characteristics behind Immersivity through the Idea of
Arche-Screen. A First Case Study
Francesco Melchiorri

Orchestra in Digital Transformation: Expanding Perceptual Possibilities of Classical Music with a Hybrid Performance Format
Lara Perski, Renate Buschmann

Virtual and Real: Ideas and Tools for an Enhanced Theater in an Empathic Direction
Giorgia Coco

Between the White Box and Ethics: Social Knowledge and Ecological
Communication in Three Participative Artworks by Salvatore Iaconesi and Oriana Persico
Luca Befera